THIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 9MA, AND MEASURES 2.6"X4.8"X1.6". Compared to most vintage fuzz pedals, this one doesn’t lack mid-ranges.
![jhs pedal clones jhs pedal clones](https://i.imgur.com/OHo6fdt.jpg)
There you can find the JHS 2015 mode, which is a modern approach to the fuzz effect. The sixth one is the company’s take on the legendary circuits. Rediscover the finest aged cheese in the pedal world. The five legendary pedals have been packed in this one and all of the sound impressive. The JHS Cheese Ball is our homage to one of the most excellent fuzz/distortion pedals ever created. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale. The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. In the “1” position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz/distortion sound. The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. The Cheese Ball is our faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Shields (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore, and many others using the out-of-production units, their Used market prices have begun to rise more and more, sometimes into the $800 range. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. Its ideas were off the beaten path, and its sounds were otherworldly. A potentiometer wired as a variable resistor will then set how much signal will go to ground.Long ago in a mysterious time that we call the 1990's, a new pedal company was created in England. A 470K resistor connected to ground will set the bass response of the unit, and will eliminate a bit of bass. To eliminate more high frequencies, value of this capacitor can be changed to a bigger value like 560 pF for instance. On the pedal’s left side is the echo/slap delay control that helps replicate an analog BBD delay and tape echo hybrid. In addition, it is a user-friendly 2-in-1 echo/boost pedal with a small footprint that easily matches any discerning player’s rig. Then, the signal is filtered a bit by different means: a 470 pF capacitor connected to ground let high frequencies going to ground, thus eliminating a bit of high frequencies. On the other hand, this echo pedal from JHS works as an overdrive for amps with a small wattage. The maximum possible gain is set also by the resistor R3 (1k5). That way, you can set what the maximum gain of the pedal will be. You can see that the overall gain of the transistor can be adjusted with a 100k trimpot that will adjust the DC current on the drain of the transistor. The signal is amplified by the first transistor (Q1). There is a 22nF coupling cap that prevents any parasitic DC current from your guitar to go through the circuit. Pulldown resistors prevent loud popping noises when you turn the effect on. Hey, anyone know if there are other options for 1073 style pedals besides the JHS Color Box Ive been recording DI with some Neve clones and was hoping to. Let's see every part of the circuit in detail.įirst, there are two 1M pulldown resistors. Like I said, it really works like an amplifier! The saturated signal will be slightly modified in tone by the tone stack section, and a third transistor will set up the final volume. To sum up, it works like this: the first preamp section amplifies the signal, and will drive the second transistor. It is different from what we are used to with the Big Muff or the Jan Ray (Timmy). Which is really appropriate because JFET transistors (Junction Field Effect Transistors) use a technology that is really close to tubes, and they sound quite "tube-like" when saturating: warm, creamy overdrive compared to the aggressive gritty saturation of silicon transistors.Īll the saturation of this circuit is based on the saturation of these transistors: you can see that there are no diodes in the circuit.
![jhs pedal clones jhs pedal clones](https://thumbs.static-thomann.de/thumb/padthumb600x600/pics/bdb/530904/16887246_800.jpg)
You can see that it looks a lot like an amplifier! It is really inspired by an amplifier schematic, except that tubes are replaced with JFET transistors.